خلاصه داستان : در 10 مه 1940، هیتلر با غرب روبرو می شود. آیا او اروپا را وارد آخرالزمان خواهد کرد؟

May 10th, 1940, Hitler takes on the West. Will he precipitate Europe into the Apocalypse?

خلاصه داستان : مستند به دنبال یافتن پاسخ به این سوال مهم است که "چرا زندگی ما توسط نارضایتی، غم و اندوه و ترس توصیف می شود"

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

خلاصه داستان : در این فیلم وقایعی که از زمان اعلام جنگ توسط انگلستان و فرانسه علیه آلمان تا اشغال فرانسه توسط نازیها روایت می شود...

The third film of Frank Capra's 'Why We Fight" propaganda film series, dealing with the Nazi conquest of Western Europe in 1940.

خلاصه داستان : این مجموعه شش قسمتی جنگ جهانی دوم، از ظهور نازی‌ها تا تسلیم ژاپنی‌ها را با پرتره‌های دقیقی از چهره‌های کلیدی نشان می‌دهد...

A six-part French documentary about the Second World War composed exclusively of actual footage of the war as filmed by war correspondents, soldiers, resistance fighters and private citizens. The series is shown in color, with the black and white footage being fully colorized, save for some original color footage. The only exception to the treatment are most Holocaust scenes, which are presented in the original black and white.