خلاصه داستان : داستان روایت کننده خانم های که ب صومعه پس از مراسم خاکسپاری دوستشان رفته و ماجراهایی برایشان اتفاق می افتد ....

Omnibus film with individual segments directed by Renato Castellani, Luigi Comencini and Franco Rossi; all of them starring the radiant Catherine Spaak as "out of place" women longing for love, in a Sicillian village, a monastery, and a modern Italian urban setting, respectively.

خلاصه داستان : در این برداشت از نمایش کلاسیک "شکسپیر"، دو خانواده ایتالیایی سالهاست از هم نفرت دارند. اما پسر یک خانواده و دختر خانواده دیگر عاشق هم شده و در خفا ازدواج می کنند و...

In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.

خلاصه داستان : داستان فیلم Zazà از آن‌جایی آغاز می‌شود که یک مهندس پاریسی، با دختری رابطه برقرار می‌کند. این دختر پس از گذشت مدتی، متوجه می‌شود که این مرد ازدواج کرده و یک خانواده دارد. او تصمیم می‌گیرد که از مرد جدا شود و در همین زمان، اتفاقات بسیار جالبی رخ می‌دهد تا اینکه .....

A glamorous female singer Zazà (Isa Miranda) has an affair with a passerby engineer Dufresne (Antonio Centa). But when Zazà impatiently comes to him in Paris she finds out that he is married and even has a daughter. He wants to escape from his relatives with Zazà, but, disillusioned and exhausted, she rejects his proposition and insists on his coming back to his family.

خلاصه داستان : داستان عشق بین یک فرد فقیر و یک دختر صاحب کارگاه محترم که در دهکده ای ایتالیایی پس از جنگ اتفاق می افتد.

The film is the third in director Castellani's "young love" trilogy (the first two being Sotto il sole di Roma (1948) and È primavera...(1950)). The story concerns the romance between Carmela (Fiore) and Antonio (Musolino). The ardor is one-sided at first, but Carmela is a determined young woman, willing to scale and conquer any obstacle in pursuing her heart's desire. Once he's "hooked," Antonio scurries from job to job to prove his financial viability. Faced with the hostility of their parents, Carmela and Antonio symbolically shed themselves of all responsibilities to others in a climactic act of stark-naked bravado.